alto saxophone, bass clarinets, composition
ClayClay (2021) was commissioned by Calefax Reed Quintet. The première took place at Concertgebouw Amsterdam on 26 April 2021.
Leichte ÜberlappungenLeichte Überlappungen for 2 bass clarinets
composed for Fie Schouten and Jelte Althuis
Track 1 of the album 'Chambery' (Attacca label, Composers Series)
The score is available as a hard copy and as a pdf download at
Too Dark To ReadToo Dark To Read for 7 bass clarinets and 3 contrabass clarinets, composed for the Basklarinet Festijn 2014. Performed by Harry Sparnaay, Ernesto Molinari, Claudio Puntin, Steffen Schorn, Jelte Althuis, Fie Schouten, Tobias Klein, Laura Carmichael, Ainhoa Miranda and Oguz Buyukberber. Recorded at De Toonzaal, Den Bosch, on 13 april 2014.
VEILEDVEILED (2013) composed for the David Kweksilber Big Band, an extended big band with double reeds, 2 percussion and soprano voice.
Bohemians Gone ExtragalacticWritten for Spinifex Maximus in the spring of 2015. Instrumentation:
2 trumpets, 2 trombones, tuba, alto sax, tenor sax, baritone sax, electric guitar, bass guitar, 2 drums
Tung StenWritten for Oguz BÃ¼yÃ¼kberber, Ernesto Molinari and Tobias Klein in early 2014. Adapted for 2 contrabass clarinets.
LakeishWritten for Almeida/Duynhoven/Klein in 2014. Instrumentation: alto saxophone, double bass and drums.
Mad StorkMad Stork (2012) composed for Tetzepi
Instrumentation: small big band - 4 reeds, 3 trumpets, 3 trombones, guitar, piano, bass, drums, plus improvisor (on this recording: Niels Wogram, trombone)
VERBO10VERBO10 (2004) written for trio To be sung (soprano, cello, bass clarinet/clarinet).
metaQmetaQ (2004), originally composed for Man Bites Dog Eats Amsterdam Klezmer Band, scored for and performed by Spinifex Orchestra.
Hipsters Gone Ballisticfor trumpet, alto saxophone, electric guitar, bass guitar and drums.
written for Spinifex in februari 2011